Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
I wrote
Making No Compromise: Margaret Anderson, Jane Heap, and the "Little Review"
I love the humor, self-confidence, and acerbic wit of Margaret Anderson–a woman known by few, but those who know her love her.
Writing in her thirties she looks back with a keen eye for the geniuses of modernism–Joyce, Eliot, Pound, etc. She also, with her lover Jane Heap, published early feminist and LGBTQ content. And she is funny. An iconoclast from Day 1.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
This biography gives you the inside experience of one of the most visible lesbians in Paris during the mid-twentieth century.
Genet was the pseudonym for Janet Flanner, The New Yorker’s correspondent for France. Flanner knew and wrote about everyone. Her column noting Anderson’s death is particularly touching. From Indiana to the City of Lights in one lifetime.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few years before she signed on as Paris correspondent for the New Yorker, taking the pseudonym Genet. For half a century she described life on the Continent with matchless elegance.
They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers, and they were drinkers. Edna St Vincent Millay, Djuna Barnes, Isadora Duncan, and Ma Rainey–knew how to have fun.
I love the way the author deftly describes each woman—women who lived in an era that still defined women as second-class citizens. Each was unique in her own way—bold, brassy, and making no compromise with gender and sexual norms of the day.
This book is an entertaining and informative guide to the music, martinis, and sometimes mayhem of these daring, brazen, and historical heroines!
They were smart. Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. They were poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses. They were thinkers and they were drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet…
A murder mystery set in Prohibition Greenwich Village–fun, frothy, and a fictional but true new take on all of these lovely ladies.
I love the recapturing of the Village of the era–the winding streets, brownstones, speakeasies, and gangsters. Who is the dead woman detective Olivia Brown tripped over?
In a mystery set in New York's Greenwich Village during the Roaring Twenties, newly published poet Olivia Brown, determined to experience everything her bohemian neighborhood has to offer, suddenly finds herself embroiled in a murder and on the trail of a killer bent on revenge
My book is the first book-length account of the lives of Margaret Anderson and Jane Heap, the women who founded the avant-garde journal The Little Review in Chicago in 1914.
Born in the nineteenth-century Midwest, Anderson and Heap grew up to be iconoclastic rebels, living openly as lesbians and advocating causes from anarchy to feminism and free love. As their paths crisscrossed Chicago, New York, Paris, and Europe; two World Wars; and a parade of the most celebrated artists of their time, they transformed themselves and their journal into major forces for shifting perspectives on literature and art. They were “out” lesbians in the early 20th century; both had a rollicking sense of humor and saw through the social/sexual absurdities of their time.
In a previous career, I traveled extensively to many parts of the world. I always found new cultures, old traditions, strange languages, and exotic environments fascinating. Perhaps even more fascinating, were the expats I found who had traded in their home country for an existence far from where they were born and different from how they were reared. In many instances, I’ve attempted to incorporate—in Heinlein’s words—this stranger in a strange land motif in my work. It always seems to heighten my interest. I hope the reader’s as well.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more malevolent.
The gumshoe has to deal not only with brigands, kidnappers, and commies, but also with the beautiful, enigmatic daughter of the industrialist whose involvement raises the danger level exponentially. As complications and the body count rise, Ellis tries to make sure this ill-fated job won’t be his last.
San Diego Private Investigator, Brig Ellis, is hired by a wealthy industrialist to help him acquire the final horse in a set of twelve palomino miniatures that once belonged to the last Emperor of China. What begins as a seemingly reasonable assignment quickly morphs into something much more sinister. The intrepid gumshoe finds himself having to bargain with brigands, kibitz with kidnappers, clash with commies, and duel with a stone cold assassin incapable of feeling pain. All while navigating potentially deadly pitfalls instigated by his employer's beautiful but enigmatic daughter. Conflict and danger increase at warp speed as Ellis tries…
